The story opens in 1953 when the two are embarked on a physically draining music hall tour in England and Ireland. As far as travel and hotel arrangements and promotion for their shows, you'd never guess they were an iconic Hollywood comedy team. They have to tote their own luggage and use pay phones. Audience size is small. They never, ever threw any star tantrums but you will feel that each, at least, deserved a hotel suite with room service. Things will improve along that line during the tour, Oliver's health will start to fail, there will be some friction between them, a reconciliation and a packed house. A bit of the friction is rooted in ZENOBIA, the 1939 feature film comedy Oliver Hardy made without Stan Laurel. Stan wasn't in it because of his contractual problems with producer Hal Roach. Harry Langdon, also a comedy star from the silent screen era, was cast along with Hardy. Zenobia was the name of a circus elephant.
I loved that the film taught me something about Stan the man and "Babe," Stan's nickname for Oliver. I didn't know that Stan wrote so much of their material and that Babe had a tendency to play the racehorses too much. For years, starting in 1927, they were featured in Hal Roach productions. STAN & OLLIE shows conflict they had with Roach contractually. We see the business of show business and the discipline it takes to get in front of the cameras and be funny when the way you're treated as talent behind the scenes is no laughing matter. We flashback to 1937 when the duo was filming its hit feature, WAY OUT WEST.
I'd seen entertainment news pieces on the extensive make-up sessions John C. Reilly underwent to look like Oliver Hardy. I wish some entertainment news contributors on TV had mentioned that the final product turned out to be such a fine film with surprise, heart, humor and affection coupled with good acting.
If you're a Laurel & Hardy film, this sweet biopic is worth a look.
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