As usual, when I attended a press screening, I enter and give a nod to every other Black person I see whenever I'd see them. I'd been to many screenings where I'd been the only one. When I strolled into the Brill Building screening room -- early enough to get a good seat -- my jaw went slack as I spotted and nodded to another Black person present. She was seated in the last row with friends. It was Oprah. I took an aisle seat in the middle. The screening room was packed by the time the movie started. Rex Reed sat in the row in front me. The late Joel Siegel of GOOD MORNING AMERICA sat right behind me and sobbed loudly throughout the funeral scenes. I am sure we all left that screening room knowing that moviegoers would love STEEL MAGNOLIAS.
One of the things we love most about 1989's STEEL MAGNOLIAS is watching Olympia Dukakis as Clairee hurl hilarious wisecracks at the always-cranky Ouiser played by Shirley MacLaine. Olympia Dukakis worked with Shirley MacLaine's brother, Warren Beatty, way back when her film career was so new that she was basically a background actor. In the 1964 mental health drama called LILITH, starring Warren Beatty and Jean Seberg, look for Olympia in a few shots as one of the patients in the mental institution. She's one of the extras in the bridge scene with Beatty.
Sally Field has been a hero, inspiration and a role model to me since the 1970s. I feel like I grew up with her. I was a devoted fan of her sitcom work. I watched her as GIDGET, THE FLYING NUN and THE GIRL WITH SOMETHING EXTRA. It made me angry that critics seemed to overlook her impressive work in made-for-TV dramatic movies on ABC. She was not taken seriously. I cheered when she slammed across that galvanizing performance as a schizophrenic named SYBIL. With her work as the young woman suffering from multiple personalities, SYBIL was a 1976 NBC mini-series that had everybody talking about Sally Field's stunning portayal. Then came her landmark film career.
Sally Field, a native of Southern California, proved to have the right stuff for playing Southern women. Playing Southern women earned her two Oscars for Best Actress -- NORMA RAE (1979) and PLACES IN THE HEART (1984).
Shirley MacLaine was a marvelous guest on my VH1 show. We started gabbing in the green room and continued on the set. She got her Best Actress Oscar for TERMS OF ENDEARMENT (1983), a classic written and directed by James L. Brooks. Here's a clip of Shirley and me talking about the James L. Brooks experience.
Reportedly, Herbert Ross initially was quite a bit rough on newcomer Julia Roberts. When it looked as though her self-confidence was shaken, the veterans formed a supportive sisterhood circle around her. Julia Roberts got a Best Supporting Actress Oscar nomination for STEEL MAGNOLIAS. Her next release would be PRETTY WOMAN. That film brought her an Oscar nomination for Best Actress of 1990. PRETTY WOMAN's popularity and box office take were huge and made Julia Roberts one of the biggest, brightest new stars in Hollywood. Julia Roberts won the Best Actress Oscar for ERIN BROCKOVICH (2000). There's now a musical version of PRETTY WOMAN on Broadway.
I saw STEEL MAGNOLIAS in New York City before its film adaptation. I loved it. Robert Harling wrote the play. Onstage, it has an all-female cast. There's no man in it at all. Just like 1939's THE WOMEN which was also based on a hit play. Harling wrote the screenplay. For the film adaptation, he opened up the action of his story and he added men -- just like MGM's 1956 remake of THE WOMEN, called THE OPPOSITE SEX, added men. After the movie success of his STEEL MAGNOLIAS, Robert Harling went on to write screenplays for the comedy SOAPDISH (1991) and THE FIRST WIVES CLUB (1996). You can see him onscreen in STEEL MAGNOLIAS as a minister.
For ticket and showtime info on the special STEEL MAGNOLIAS screenings this week, go here:
www.fathomevents.com.
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