Elijah Wood secured definite movie stardom as Frodo Baggins in the Oscar-winning LORD OF THE RINGS trilogy. In 2014, I saw Elijah Wood in a black and white drama based on a true story. Called SET FIRE TO THE STARS, this independent film presents some of the best Wood I've seen since his fantasy features as Frodo Baggins. Set in a 1950s New York City, Elijah Wood stars as a struggling poet whose life gets a major jolt when he spends a week with his hard-drinking, hell-raising, gifted hero -- poet Dylan Thomas. John Brinnin (Wood) invited Thomas to New York City for a series of poetry readings. The film runs only about 95 minutes and was shot in the United Kingdom with a U.K. cast. What I love most about SET FIRE TO THE STARS is the dynamic and moving performance from Celyn Jones as Dylan Thomas. It's the kind of performance that should've made Hollywood casting directors and Broadway producers want to get in touch with his agent. He's magnetic as the famed Welsh poet and he co-wrote the screenplay.
Around the time this movie was playing at an arthouse theater in New York City, Elijah Wood was a bright guest on ABC's THE VIEW one day. But none of the ladies who host mentioned his new movie. Damn! Had I been on the show as a guest host, viewers would have known about SET FIRE TO THE STARS. You can find it now on Amazon Prime. Here's a trailer.
An immigrant named Zero gets a job as a new Lobby Boy in the hotel. He soon becomes one of Gustave's dearest friends. Gustave is framed for murder. Zero has quite the adventure helping to prove Gustave's innocence. While doing that, Zero falls in love. THE GRAND BUDAPEST HOTEL is visually pleasing with its production design colors that look like they're on sweets inside of a gourmet pastry shop. With the wacky murder plot, more murders are on the way. War and fascism have broken out in the land. Gustave is loyal to his immigrant friend as danger approaches. THE GRAND BUDAPEST HOTEL is about the end of an era of civility, grace and charm. Things that marked the "Old World." Tony Revolori, a Latino actor from Southern California, is terrific as Zero, the Lobby Boy. He should be getting other good A-list Hollywood script offers. Ralph Fiennes should have been a Best Actor Oscar nominee for THE GRAND BUDAPEST HOTEL.
If you're a Benicio Del Toro fan, you must see 2007's THINGS WE LOST IN THE FIRE. He's amazing in this drama co-starring Halle Berry. I feel that Scandinavian director Susanne Bier guided Berry through her best film following her historic Best Actress Oscar win for MONSTER'S BALL. Ironically, this film suffered because it opened nationwide the same weekend that a major, devastating wildfire roared through Southern California. The wildfire was a lead national news story. It forced evacuations and it affected box office attendance that weekend in the large California market. Millions of moviegoers missed a heartfelt, moving film with fine performances.
Halle Berry plays a wife and mother who has a good suburban life and a very happy marriage. She's married to a man who has always put kindness into action. He dies. She feels obliged to invite one of his closest friends to the funeral. However, she's reluctant to proffer the invitation. The friend, Jerry, is a recovering drug addict. He will come to the funeral service and, in time, help her break through the grief that has emotionally immobilized her. THINGS WE LOST IN THE FIRE is about forgiveness. It is a melodrama about two wounded people brought together by someone who always tried to do the right thing. Bier gives Halle Berry the kind of role that Hollywood automatically gave to white actresses. David Duchovny plays the husband. It's an interracial marriage, as we can see, but that is not an underlined item in the story. It's a marriage that happens to be interracial because of the actress cast in the role. Here's a clip from THINGS WE LOST IN THE FIRE.
A GIRL WALKS HOME ALONE AT NIGHT is gorgeously photographed. You would think this was really shot in the Middle East. Wrong. It was shot around Bakersfield, California. The director/screenwriter said that she did not purposely set out to make a "feminist" vampire movie. However, you can't help but notice that the vampire's victims were abusive men. She gives you chills when you see her expose her fangs and take a victim. She's a horror. And she's also lonely. There is one young man who makes her put her fangs away. He's a gentleman. She likes him. She's attracted to him. He's just a local dude going home after a party. He's a little buzzed from drinking. By the way, he was at a costume party ... and he's dressed as Dracula. An unlikely romance ensues. Here's a short video in which the director tells us about one scene in A GIRL WALKS HOME ALONE AT NIGHT.
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