I watched De Sica's THE ROOF last night for about the sixth time since I first discovered it back in 2014. For about the sixth time, the final scene brought a tear down my cheek. Vittorio De Sica's THE ROOF is like a warm, reassuring hug from a dear friend when you're down and out. If you love BICYCLE THIEVES, I think you'll also find a special place in your heart for THE ROOF.
We go to post-war Italy. As the opening credits in this little black and white gem roll, we see laborers at work on a construction site. New residential buildings are being constructed. Luisa (Gabriella Pallotti) has just married Natale (Giorgio Lituzzi), a tall and lean young man with a cherubic face. The couple is so poor, the two don't have their own place on the wedding night. The bride had to borrow her wedding dress. They stay with relatives, sharing the same room with relatives. Some of the only time Natale and Luisa have alone is when he's pulling their few belongings on a cart as they take to the streets in search of an inexpensive room of their own. Natale hopes to find steady employment as a bricklayer. His brother in law could teach him more about that trade.
The newlyweds and the relatives who take them in are living hardscrabble lives. We see strength in the fact that the poverty never dents, never strains the love Natale and Luisa have for each other. Together they will endure.
Natale decides to build a house for them. A little "squatter's shack" in the outskirts of town. Literally on the wrong side of the tracks. He sees that other villagers have done such. His must be erected overnight when police are not present. A law states that any building with a roof cannot be torn down. With this law in mind, hopefully with the help of relatives and villagers, Natale is determined to build a one-room home -- with a roof -- for his bride. Can he do it? If he does, will the cops tear it down as they have done others?
A little one-room building with a roof, a structure the size of a backyard playhouse for youngsters in an upscale family today, would be heaven on earth for De Sica's newlywed couple. With today's massive unemployment and millions of working class Americans teetering on the brink of eviction, perhaps now is the perfect time to appreciate this classic foreign film.
I've long cherished Vittorio De Sica films because I feel that his Italian neo-realism reflected the spirit and specialness of my South Central community. I recognized how his unprivileged characters were push aside by society because of class and income. I love how De Sica showed that ordinary people are some of the most extraordinary people you could ever hope to meet. We meet two such characters in 1956's THE ROOF. A lovely film, it runs 1 hour and 40 minutes.
De Sica's THE ROOF (IL TETTO) is streaming on Amazon Prime. If you rent it, be sure to click onto the upper right-hand corner options and get the English subtitles.
No comments:
Post a Comment