This year, I got fascinated with the movie talent of actor George O'Brien. In college, when I took film courses, I saw his performance in F. W. Murnau's silent 1927 classic, Sunrise: A Song of Two Humans. Now that classic films have been restored, remastered and put on DVD, I love Sunrise even more. Janet Gaynor starred as the timid and sweet country wife. O'Brien starred as the loving country husband who's being led astray by the town slut. For quite a long time, I was really only aware of that George O'Brien lead performance. And it's an excellent one. A star in the silent era, he was one talented hunk o' man. If he was being played today in a biopic, as I wrote in an earlier blog post, he should be played by Jon Hamm. There's a slight resemblance.
In the 1930s, he was a popular star of low-budget westerns. I saw some of those and it's evident why he was popular. I bet he'd have been a bigger star had he been with a bigger studio. He had the goods to star in A-list studio movies like Gary Cooper, Joel McCrea, Fred MacMurray and John Wayne did in the 1930s and early '40s. Just like those four actors, he should've starred opposite Jean Arthur, another graduate of silent films. A decorated World War I hero, O'Brien enlisted for service during World War II.
One thing that hit me when I saw in Fig Leaves, a satirical 1926 Howard Hawks comedy, was how comfortable O'Brien seemed to be in his own skin. He was as physically animated as an actor who did comedy for Hawks years later -- Cary Grant (Bringing Up Baby, His Girl Friday, I Was a Male War Bride). Grant -- another actor who starred opposite Jean Arthur. You just know that women moviegoers loved George O'Brien -- and he was probably the object of quite a few man-crushes, as they say today.
I saw a 1926 film he starred in that was directed by John Ford. It's a silent film about navy roughnecks, rivals who become buddies. Janet Gaynor plays the love interest. This is before he and Gaynor made the acclaimed Sunrise. John Ford's The Blue Eagle runs about one hour. It has action, romance, some laughs... and George O'Brien's chest.
Forgive the poor quality pictures. I snapped these pics with my cellphone while watching the movie. Here's the sweet, vulnerable guy on the bed with a low-life.
The 1920s. Those were the days when a troubled dude could sit on a bed next to his sailor buddy and hold his hand without getting heat from the Hollywood Production Code censors.
If Jon Hamm did that scene with a male actor exactly the same way in an episode of TV's Mad Men, it would cause giddy national buzz about possible subtext. That was definitely a 1920s bromance scene in John Ford's navy story. Look at the physical intimacy between the two actors in The Blue Eagle. That's very sophisticated stuff. They took a scene of male bonding and raised the stakes on it. That kind of bravery is good acting.
FRUITVAIL STATION. Ryan Coogler directed that independent film, based on a true life story, and his production was hailed at the Cannes Fil...
Klaatu: "I am fearful when I see people substituting fear for reason." If the kids won't think that an old black and white ...
I loved Eli Wallach performances. I picked up that love from my parents. Mom and Dad didn't agree on much near the end of their 13-ye...
Please allow me to pitch an article, a very favorable article, written about a longtime fixture on the New York City entertainment scene. H...