More About Women in Film

If I had the privilege to interview some of these talented, groundbreaking women on the Oscars red carpet, my first question would not be "Who are you wearing?"

I've written about groundbreaking women directors going back to Dorothy Arzner of 1930s Hollywood, followed by actress/director Ida Lupino in the late 1940s through the 1960s in film and television.  I wrote that there were four women, including Ava DuVernay of Selma, who directed films that became Oscar nominees for Best Picture.  Well, four did.  But...there were more.  Including Ava DuVernay, 12 women have directed films that got Oscar nominations for Best Picture.  Except for Ava, all those other women directors of those Best Picture nominees also directed a castmember or castmembers to an Oscar nomination.  Of those 12 women who directed a Best Picture Oscar nominee -- including Ava -- only 3 received a Best Director nomination for making that Best Picture Oscar nominee.  They were Jane Campion for The Piano (1993, Holly Hunter Oscar winner for Best Actress), Sofia Coppola for Lost In Translation (2003, Bill Murray Oscar nominee for Best Actor) and Kathryn Bigelow.  She made Hollywood history when she won Best Director for The Hurt Locker.  The film won the Oscar for Best Picture of 2009 and Jeremy Renner was a nominee for Best Actor.

The night that Kathryn Bigelow won her historic Oscar, I was yelling at the TV screen.  Yelling at lazy entertainment journalists.  2009 was the kind of year in film that just did not happen in the glory days of screen legends like Bette Davis and Barbara Stanwyck.  Meryl Streep starred in two big studio releases.  Both films were directed by women.  It's Complicated was directed by Nancy Meyers.  The late Nora Ephron directed Julie & Julia.  For Ephron's charming film, Streep became one of the few women in Hollywood history directed to a Best Actress Oscar nomination by a female director.  That same year, we had TWO movies directed by women that went on to be Best Picture Oscar nominees -- The Hurt Locker, Bigelow's film, and An Education.  Lone Scherfig got a radiant performance from Carey Mulligan in An Education, earning a Best Actress Oscar nomination in addition to the Best Picture nomination.  Two Best Picture Oscar nominees directed by women but Red Carpet reporters asked "Who did your dress?"  When The Hurt Locker and An Education were up for Best Picture, that was when the number of eligible nominees had increased from five to ten.  Danish filmmaker Lone Scherfig did a beautiful job with An Education.

If you've not seen it, rent it this weekend. Mulligan's screen charisma sparkles.

The following year should've made some entertainment news reporters curious about the way the Academy works -- curious about the diversity of folks on the Academy branches.  Like the branch of directors.

The following year, Debra Granik's Winter's Bone and Lisa Cholodenko's The Kids Are All Right were nominees for Best Picture, both produced a nominee for Best Actress, but neither was nominated for Best Director.

Kathryn Bigelow made Hollywood history again.  She is now the only woman who has directed two films nominated for the Best Picture Academy Award.  Some top critics wrote that her film, Zero Dark Thirty, was even better than The Hurt Locker.  It was nominated for Best Picture of 2012.  Jessica Chastain was nominated for Best Actress.

Did Kathryn Bigelow get another nomination for Best Director?  No.

Ava DuVernay did a brilliant job with Selma.  The project was originally attached to another director (Lee Daniels).  She took it over, she did not have a Spielbergian budget, she had to do rewrites on the script (for which she did not get onscreen credit) and she could not use portions of famous Martin Luther King, Jr. speeches because the copyrights are owned by another filmmaker (reportedly, Steven Spielberg).  She had to write "new" speeches for Dr. King.  Last but not least, she cast a British actor as an American icon of the U.S.A's civil rights movement and got an amazing, totally believable performance out of him.

But...like Randa Haines, director of 1986's Children of a Lesser God...

...Penny Marshall, director of 1990's Awakenings...

...and Barbra Streisand, director of 1991's The Prince of Tides...and like other women directors...

...she was denied a Best Director nomination for directing a Best Picture Oscar nominee.

If, as I've read, an Oscar nomination gets you invited into Academy membership...are Jane Campion, Sofia Coppola and Kathryn Bigelow the only women in the branch of directors?  Are they in the Academy's branch of directors?  I think those findings would be entertainment news worth  reporting.

Personally, I think the Academy should change and update a rule.  I've mentioned this before in a post. I feel that, if a film is nominated for Best Picture, it also gets a nomination for Best Director.  Because the movie did not direct itself.  I think some women would second that emotion.